Review: SOLD, Studio (Vault Festival 2020)

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Martini Rating: 🍸🍸🍸🍸🍸

Immensely powerful and artistically vibrant! A must see!

Co-produced by Kuumba Nia Arts and Unlock the Chains Collective, SOLD is a thrilling and unimaginably skilful blend of storytelling, song, drumming and dance. Taking inspiration from the storytelling traditions of the West African Griot/Jeli, the work does much to comment upon, embrace and explore the Black Experience and what exactly that means. Charting this through slavery suffered in Bermuda and British Caribbean colonies and more specifically through the eyes of slave, author and abolitionist Mary Prince. SOLD thus recounts Mary’s story, from her birth into slavery in Bermuda in 1788, through her various owners and years of suffering, to her arriving in England and writing a history of her life in 1831, beyond this, to her abolitionism, anti-slavery petition and testifying against brutality to her final disappearance from records in 1833.

The work is irrefutably thematic, affecting, strong and beautiful, written this way by writer and performer Amantha Edmead. Proving herself to be an adept and smart playwright, she cleverly situates the narrative within the moment Mary told her story for it to be transcribed for the purpose of being published. Not only allowing for a fast-paced and dynamic plot, as we explore all of Mary’s major life events, but also bringing immense weight to the significance of the book. As this was the first account of the life of a black women, let alone a complete history of a single slave, the book forming a personable record and example of the atrocities being committed across the empire. The ‘History of Mary Prince’ therefore demarcating the first step in Mary’s own abolitionism, a small, but nevertheless mighty step towards the end of anglo-slavery. Demonstrating not just how rare and important it was that she was given a platform, but also as a place marker for the many hundreds of thousands without a voice who she spoke for and the millions she evidently still speaks for.

Euton Daley’s direction and dramaturgy is inspired. Daley drawing from the fast-paced and thematic nature of Edmead’s writing, brings Mary’s story stubbornly to stage. With the help of Vocal Coach and Song Arranger Ayo-Dele Edwards and Choreographer Lati Saka, Daley creates a coruscating and emotive, truly stellar piece of theatre, where storytelling is ingeniously combined with recurring motifs to truly emote and convey the realities of Mary’s suffering, as well as her fleeting moments of joy. From childlike innocence, to her being Sold and torn from her family, to her endless beatings and gruelling work days, right through to her marriage and yearning to be free. There is something so ritual-like and spiritualistic about this methodology, the work allowing us to to really feel Mary’s pain and exults through the playful and domineering drumming, sorrowful and hopeful singing and strong, yet sometimes pained movement sequences. We experience it with her and that right there, is a true art form.

Edmead’s delivery is equally as captivating, not only is she a consummate storyteller, her characterisation is exquisite and her energy, boundless. Edmead effortlessly and instantaneously bringing to life several variegated characters, as well as measuring her physicality and vocal qualities to astutely demonstrate Mary’s changing age. Whilst Angie Amra Anderson is a fantastic musician, she is a wonderfully dexterous and soulful singer and drummer, providing the necessary glue to keep this piece together. Nomi Everall also deserves high praise for her malleable and symbolic set, the ropes and hanging nooses are wonderfully representative of not only the threat of punishment that hung over slaves, but also of their bindings through a lack of freedom, even when they weren’t bound or chained they were still answerable to their masters and ultimately not free.

For us, the question of whether to see SOLD this week at Vault Fest is a no brainer, go! It’s unique, moving and transcendent. ‘To be free is very sweet’. Click here to book now.

 

Director/Co-producer: Euton Daley

Writer/Performer: Amantha Edmead

Drummer/ Performer: Angie ‘Amra’ Anderson

Vocal Coach: Ayo-Dele Edwards

Choreographer: Lati Saka

KNA Co – Producer: John Sailsman

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