Martini Rating: 🍸🍸🍸🍸
Carla Grauls’ Me Myself I is a striking and much-needed portrayal of humanity and it’s dulcet response to the climate crisis. Delving deep into the idea of legacy and the meaning of life, Grauls heartbreakingly captures the rate at which the planet is dying whilst humans keep on living, focussing more on legacy and online presence than the world they are actually in.
We meet Lana and Lena in a facility, where Lana, having chosen to replace herself before she dies, is having her clone Lena sign over her servitude for 100 years, should she even live that long, agreeing to taking on Lana’s identity in its entirety. The contract thus inciting Lena to adopt her life, relationship and digital presence, with guidelines explaining how to do so. But as we quickly see, the life that Lena inherits isn’t quite what she expected. The world is different to what she’s been told and the life, paper-thin, a loveless relationship with very little affection, a purposeless existence all riding on a falsified digital presence.
Going through several generations of clones, the work has a wonderfully artistic Samuel Beckett-esque monotony to it. As clone by clone goes by, the same single-perspective anecdotes being told to help the next understand who they are becoming, more birds die, forests burn, marshes swamp and houses are swallowed whole. Not only is the extent of the climate emergency therefore harshly constructed in front of us, humanity is congruently deconstructed, it’s loss of meaning, potent. With the clones almost willing the next to not sign the agreement and end the line. Humans become a mass of selfie-posting, idealism-lovers, obsessed with perfection, their image and their legacy, unable to authentically live and love and blind to their own destruction. Sound familiar? Lana’s decision to ‘go on living’ thus coming from a place of selfish vanity and insecurity, not wanting her boyfriend to find someone else, her privilege in full view as she mentions how she has paid for this service. The only ‘good’, preventative deed regarding the climate emergency that she completes and explains to her clone, is the washing and recycling of plastics, an ironic drop in the ocean on the grand-scale of saving the planet. Grauls’ writing is therefore intelligible, reactive, sharp and clear in its call to action, whilst vibrant in its eloquence and poeticism.
Andrew Twyman’s direction vividly responds, taking Grauls’ stirring and bold lead. Twyman thematically chooses to stage the destruction, the action happening on a platform above dirt and bark mixed in with plastic waste, demonstrable of the human tendency to act above and oblivious to what surrounds them. Culminating in the actors throwing the bark and then examining the plastic, a visual depiction of how single use plastic is one of the things killing the planet. Whilst the square is plain and adorned with white furniture, a clinical man-made cell of privilege, it becomes dirty with the bark demonstrating the insistence that we cannot ignore what is happening forever. The dexterity of Twyman’s direction wonderfully enhancing Grauls’ wit and humour, intuitively referencing and enacting much of what is in the text. He cleverly brings to the forefront the clones becoming Lana, adopting and copying her nuances, inflections, gestures and poses, (for her all important selfies). Intricately physicalising the contract and the taking over of Lana’s life. Lana, Lena and co. are played fantastically by identical twins Leah and Mhairi Gayer. Both are perceptive performers, self-assured and filled with clarity. Locked into the action and utterly in sync, they resiliently blaze through the piece and it’s demanding pace. Pure excellence.
Me Myself I, ultimately asks what’s the point in living forever in a world that won’t exist? Catch Me Myself I at Vault Festival on Sunday 9th February at 4:30pm and 7:30pm, click here to book now.
Written by Carla Grauls
Directed by Andrew Twyman
Produced and presented by Holly White
Actor – Leah Gayer
Actor – Mhairi Gayer
Casting Director – Belinda Norcliffe CDG